Intaglio on Eastern paper on wooden panel 15 x 15 cm
Rather than occupying the surface, the image is relocated to the edge of two opposing wooden panels, requiring viewers to move before it can be fully encountered. The same etched tree appears on each side, quietly facing its own repetition across the space between them. By withdrawing the image from immediate visibility, the work slows the act of looking and proposes attention as something that unfolds through movement, proximity, and time.